Outing with TARC 2011 Group - Random

Canon EF100mm Macro F2.8

Zeiss Macro Plannar 100mm F2.0

Canon EF100mm Macro F2.8

Zeiss Macro Plannar 100mm F2.0

Canon EF100mm Macro F2.8

Zeiss Macro Plannar 100mm F2.0

I did a simple non official lens comparison for the fun of it but again zeiss is much better lens. Photos below are mixed lenses which i dont intend to show but if you are very particular about it can read its  metadata off the grid.

Outing with TARC 2011 Group - Random

Workshop by Olympus on Fashion Photography by Jen Siow and John Ishii

Whoever interested to learn the professional work flow should register and check out the itinerary from shoot to post process to finish print. Mainly the use of good lighting is very important, without good lights you get lousy photograph. you will learn the proper way to appreciate good photos and not follow trend.

A Test on Profoto B2 Battery Pack with Pro head + Ring flash - Studio lighting

 All these test pictures were done on Profoto B2 Battery Pack with Pro Head lamps with other lighting modifier accessories.

1.

Profoto Silver Umbrella Large against white seamless backdrop - under expose

2.

Profoto Silver Umbrella Large against white seamless backdrop - over expose

3.

this one tested out using Profoto Ring flash - under expose

 The very good design of Pro Head lamp's standard reflector can slide from scale 4 up to scale 10 to enhance the illumination of the light out put. below are samples of the effect starting from scale 10 to scale 4 [wide to zoom ]

4.

ProHead with Standard Reflector at Wide Open at scale 10, giving a soft spread of illumination

5.

At Scale 9 as indicate on lamp head, alittle concentrate

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At scale 8, correctly expose

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At scale 7, is equivalent to standard 50mm view on 35mm SLR terms. medium zoom

8.

at scale 6,  zoom, noticeable + 1.5 stop over exposure

9.

at scale 5, + 2stops over

10.

At scale 4, + 2.5 stop over expose

The experiment done below are the same as above but this time we want to check how even is the light fall off at the edge. but to our surprise how even and consistence the illumination of the light output at all scale, no hot spot at centre or vignetting at corners of the frame.  * mind you, these two experiments are done without manipulating the power output from the power pack, only sliding the reflector on the lamp head.

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This experiment is to show how soft the [bare, hard light] illuminted by Profoto lamp head on hard subject like metal, as if we have put on a soft box or diffuser to soften it. very soothing. by so saying, i am sure experience photographers will know the difference. sometimes visual effect is best let the eye interpret better than words.
we use a Pro Ring flash on lens, and one Pro head lamp attached with a medium honeycomb [no.10] placed directly behind slightly higher than the lens to create such effect.

On The Job: Tapped Out Book Cover Shoot------------------- How...

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Scuba Hasselblad

Check this Hasselblad H3D underwater housing out- Impressive

Marcus Bell Sharing Session @ Shriro Singapore, 26 Oct 2010

During this workshop, Marcus is showing us the crucial use of Rapid studio flash firing with the Profoto-8a power pack with a beauty dish couple with a few soft box and snoot to capture the every expression of the models - making sure you dont missed that very [moment] of it. No pro photographers like to spend long hours on post processing so is best to capture it perfectly on set, so with his continuous shooting, you want to make sure all flashes setup on scene are able to follow your shutter, you dont want it spoilt your subjects perfect smile against lousy lighting's.

Marcus was sharing his dodge and burned technique on how he achieved his desired wedding photograph that sells. Also a Profoto user himself, sharing how he combine a good studio lighting mixed ambient light to achieve the result he wanted. Although working with available light can make a photographer invinsible or blend in to the wedding crowd during ceremony but at times a big studio lightings will only provide the illumination that speed light cant.

One of the set was set up with Hasselblad H4D 40 with its True Focus technology where no off focus will happen to your subject when using wide open aperture after recompose.

Picture on the right was the result on Mac screen copy with GF-1 advance compact cam.











This Pro-8a are the Key lights on set- others are filled in for hair, backdrop and parts of model face and highlights.












2 lamps head set on highest speed with 2 separate power settings at 720/1200watts and 660/1200watts - all consistence exposure more than 20 continuous shoot with D3x SLR
http://www.profoto.com/kelly-kline-pro-8a-air



the Profoto Daylight [Ballast] for movie/video making use without flickering or surged. we are trying to simulate a backlighting and flare with a portable Acute B2 on the moved to fill in  the model.









another great sub brand of Profoto is Creative Light product. Can adapt to most big brands of studio lightings with lamphead adapter only. Quality as good as its brother, nice workmanship.













This is the AcuteB2 - size is as big as 6 stacking Hardrives and no more than 5kg. love this little fella - with its 600watts of power is pretty much good enough for all SLR on location shoot as far as 100 meter on f5.6 at ISO400

 all photos taken on GF1